Chris Womersley’s latest novel sucks you in from the opening passages. Set in 1600s France this is a gothic masterpiece firmly based in the historical realm but will have you believing in magic, witchcraft and maybe even the devil himself.
It is 1673 and The Plague grips the countryside. Charlotte Picot has lost three of her children to fever and her husband has also just passed away. She decides to flee her small French village with her remaining son Nicholas and set off across the countryside to seek refuge in a larger town. They are attacked upon the road and Nicholas is taken by slavers and Charlotte is left for dead. Desperate to save her son Charlotte is makes a deal with a woman claiming to be a witch to summon forth help in her time of need.
Meanwhile a man is freed from the prison galleys having served a brutal seven year sentence. He is desperate to return to Paris and retrieve a buried fortune but he cannot recover his treasure alone. His path will cross with Charlotte’s and they will both find more than they bargained for in the dark and uncanny underbelly of 17th century Paris
While on the surface setting a book in 17th century France seems to be a far removal from Chris’s previous work there has always been a gothic undertone to his novels. At one point in Bereft I was almost convinced the main character was possibly a ghost and Womersley uses similar devices to keep you off balance about where reality ends and magic actually begins.
Rooted in historical fact this is a novel that entrances you, bewitches you and keeps you thoroughly enthralled.
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Classification: The arts
(233mm x 154mm x 5mm)
Publisher: Pan Macmillan Australia
Publish Date: 01-Sep-2017
Country of Publication: Australia